it's an italicized " three years later " right under the chapter title, before the actual opening lines of the scene. Follow the PoV's thoughts as he performs the action. Breaking the promise to create mystery is fine, so long as readers can tell you have a plan. Some good questions for you to ask include: Whats the goal for this project? Where do my products benefits and my audiences problem intersect?
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You cant possibly do your best work, because the work youre doing is, at best, only half-informed. Orient readers after the skip, one last tip: for any skip great or small, readers enter the next scene not knowing how much time they just missed. But do orient the reader quickly, so they can focus on the scene itself rather should the government spy on us essay than on wondering when the scene is taking place. After the skip, drop a couple of additional hints along the way to the climax, in order to raise readers' suspicions that something is coming, even if they're not exactly sure what. That will happen in the revision phase. (Pre-writing, drafting, revision editing, and proofing.) And if you skip any of them, chances are youll find yourself in the struggle I just described. Audiences have a right to know about anything that materially affects the story. Find a way to signal your family that youre not to be interrupted unless its truly an emergency. It has helped me in so many ways, and has given me more confidence about myself and my work.