Vincent van Gogh was a nighttime lover and saw the inner beauty in the night sky which people usually overlook. It is just amazing this is what he saw through his eyes, something not many people could so until he put his vision on canvas. It is one of very few pieces of artwork that I feel this way about, which is why I selected it for this assignment. Impasto is very thick application of paint, usually wet on wet. I am particularly impressed by the unique use of colors in the painting. To prove this assertion and make things even more complicated, although longitude on Earth is measured westward in degrees from the zero longitude line (meridian) which passes through Greenwich, England (from the times when Brittania ruled the waves on the celestial sphere it is measured. The town looks so peaceful in the background and slightly off to the right of center if the painting, in the early hours of the evening.
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The homes in the essays about environmental awareness small town are elaborately colored, which seems to give off the reflection of the stars. Either way, the Greenwich meridian cannot line up with a fixed meridian on the celestial sphere. Starry Night is just one example of Vincent Van Goghs numerous painting which show night life, from which it can be presumed that the artist loved night time. Towards the left you can see the towers of Saint Julienne and Saint Trophies, and the bridge connecting Arles to Tranquiller on the right. When I look at The Starry Night Over the Rhine, I feel infinite. I, as a night lover myself, feel very strongly about the painting Starry Nights. Starry Nights can be characterized as a landscape painting as its main focus is the natural element the sky. It doesn't matter which is actually moving (we've been making believe the celestial sphere turns completely on its axis once per day). The tree first off seems to just take up a good amount of the painting, which forces the onlooker to gaze. This point is called the North Celestial Pole and it represents the north "pivot" point around which the celestial sphere seems to turn. In his asylum, Vincent van Gogh was not allowed to paint in his room on the second floor. We can assume from his work that he was at last being treated of his sickness and he saw a hope of a new life, which he so masterfully illustrated in his painting.
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